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战争小说写实传统的解构与重构
程子砚 刘国清
Deconstruction and Reconstruction of Realistic Tradition in War Novels
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摘要 摘要:写实是战争小说的基本特征,但在不同的文学思潮中,战争小说因受时代的影响,其写实特征发生了重大变化。本文通过对美国战争小说写实特征在不同文学思潮中的演进历程进行比较,尤其对后现代小说家海勒的《第二十二条军规》与先前的战争小说写实特征进行对比,旨在考察后现代战争小说对现实主义战争小说中的“伟大”与“崇高”写实传统的解构。研究结果表明,海勒的战争小说以不确定性为主要特征,以语言转向导致的话语游戏为主要手段,建构起后现代战争小说的写实策略。本文认为,海勒开创的战争小说写实策略为大众文学语境下战争小说的经典化找到了一条新的途径。 关键词:战争小说;写实传统;解构;重构;经典化
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程子砚 刘国清
Abstract:Abstract: Realistic writing is the basic feature of war novels, but influenced by the historical background it has changed greatly in different literary trends. By comparing the evolution of American war novels in different literary trends, especially comparing the features of postmodernist writer Heller’s Catch 22 with those of the previous war novels, this paper aims to investigate that the postmodern war novels have deconstructed the traditional greatness and sublime in the war novels of realism. The study shows that Heller has constructed the realistic writing strategy for postmodernist war novels with indeterminacy as its main postmodernist feature, and language game derived from the linguistic turn as its means. It is, therefore, maintained that the realistic writing strategy created by Heller has paved a new way for the canonization of the war novels in the context of mass culture. Key words: war novel; realistic tradition; deconstruction; reconstruction; canonization
    
引用本文:   
程子砚 刘国清. 战争小说写实传统的解构与重构[J]. 外语与外语教学, 2017, 01(03): 130-.
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http://112.126.70.247/wy/CN/     或     http://112.126.70.247/wy/CN/Y2017/V01/I03/130
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